Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966
Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966
Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966
Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966
Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966
Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966
Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966

Picasso - Tetê d`Homme Barbu - Original Aquatint - 1966

A striking print from the late graphic work of Pablo Ruiz Picasso , reduced, direct and of great inner presence.
"Tête d'Homme Barbu" from 1966 demonstrates Picasso's unmistakable ability to capture a human character of timeless intensity with just a few lines. The combination of expressive drawing and deep black lends the work an archaic tranquility, making it a highly sought-after collector's item of classical modernism.

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artist

Pablo Ruiz Picasso

Technology & Printing Processes

Original aquatint etching on fibrous Japanese paper

Details

Year:1966

Size in cm:38.6 x 27.7 image
Size in cm:
58.1 x 45.2 sheets

Signature:"Picasso" in lead, bottom right

Condition:Good

Special features

Reference:Catalogue of Works Geiser / Baer 1398 B (of C ), Bloch 1231

Edition:132 copies (total print run)

Origin:Private collection, Berlin

Authenticity & Guarantee

We guarantee the authenticity of this original print. The work is delivered with a written certificate of authenticity. All information regarding technique, date of creation, and provenance has been carefully verified.

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Information about the work

Image description

Against a deep black background, a man's head appears, sketchy yet surprisingly lifelike. White lines trace the face with a confident, almost playful hand: spiral eyes, a striking nose, a thick beard framing the face. The lines appear spontaneous, as if drawn in a single breath, yet still reveal clear structures.

The surface of the leaf displays subtle nuances between dense black and silvery gray, lending depth and movement to the background. The head seems to emerge from the darkness, as if slowly revealing itself to the viewer. Despite the reduction, a powerful presence arises—calm, focused, and yet imbued with inner tension.

Artistic context

The art of Salvador Dalí is characterized by a radically subjective visual world in which dream, subconscious, and reality merge. In his works, precisely painted, almost Old Master-style forms encounter seemingly irrational scenes: melting clocks, distorted bodies, fragile architecture, and enigmatic landscapes. Dalí understood the painting as a stage for the unconscious—a place where inner images become visible without requiring rational explanation.

Central to his work is the "paranoid-critical method" he developed, with which he deliberately created hallucinations, ambiguities, and associations. Many of his motifs are designed to be ambiguous, allowing for multiple interpretations simultaneously—a play on perception, identity, and time. Dalí's original prints, in particular, occupy a unique position within his oeuvre. In collaboration with renowned printers and publishers, he produced lithographs, etchings, and woodcuts of high technical sophistication, making his iconic visual language accessible in a reproducible yet rigorously controlled form.

These works are particularly attractive to collectors because they showcase Dalí's central motifs—dreamscapes, symbolic figures, mythological and literary themes—in authentic, documented quality. They combine artistic eccentricity with meticulous craftsmanship and are among the most sought-after Surrealist works on the art market internationally.

Pablo Ruiz Picasso

Pablo Ruiz Picasso (1881–1973) is one of the most influential artists of the 20th century and shaped modern art like few others. His work encompasses painting, sculpture, ceramics, and especially an extensive graphic oeuvre that reflects his restless curiosity and formal experimentation.

Picasso understood art as a permanent process of questioning and reinvention. From Cubism through his Neoclassical phases to the free, almost archaic works of his late period, he always remained open to change. His late prints, in particular, reveal a special focus on line, gesture, and expression – reduced, immediate, and possessing great inner power.

His prints are now considered an independent, central component of his oeuvre and are highly regarded internationally. They combine spontaneity with technical mastery and make Picasso's thinking and seeing accessible in a particularly direct way.